The Process

I begin each piece with a sketch of my vision. The 24-karat gold I work with starts as grains, which I carefully weigh before melting them into a single mass. It is then drawn into wire or rolled into sheets of varying thicknesses, ready to take shape.

At times, during the shaping process, the metal responds and forms differently from what was originally intended. This natural behaviour influences the design and often changes it for the better.

Preparing the Gold

pure gold begins as small grains. before it can be worked, it is transformed into the two fundamental forms used throughout the making process.

Rolling Mill

Wire Drawing

From this point onward, the making process varies from one piece to another. Different techniques are used according to the design, each serving a different purpose in shaping the final piece.

Creating Connections

Some designs require permanent connections to establish their structure before further work can continue.

Diffusing

Building Form

When a design calls for sculptural form’ volume is created directly from a flat sheet of gold using traditional forming techniques.

Repoussé and Chasing

Die-Forming

Completing the Piece

For designs that incorporate gemstones, stone setting is one of the final stages of the making process, carried out only once the metalwork has been completed.

Stone-Setting

the Materials